Friday, October 5, 2012
First Friday
I'm so excited for tonight because "Little Loft" (above The Exchange on 8th st) is hosting a trunk show for Matilda Jane. This children's clothing line is what inspired me to create Annarella Girl. It is funky, colorful and different. I try to channel that same vibe in my clothes while creating a different look. While we both combine colors and patterns in unexpected ways, I'm a bit more color crazy. And I'm still producing everything from my sewing room by hand, stitch by stitch. My line is limited edition and often one of a kind.
Make sure you stop by tonight to see some Matilda Jane and some new Annarella Girl. You can have the best dressed daughter, granddaughter, cousin, niece, goddaughter around!!!
PS. I'm pairing leggings or leg warmers with most dresses and skirts. Some have a handmade crocheted flower and some are without. So cute!!!! I love the idea of flowers on legs.
Monday, July 30, 2012
Freestyling
Yes, it is bright. Don't you love those splashy flowers? I'm really pleased with the finished dress. I'm taking it to the Grand Opening of Little Loft which takes place this Friday evening. The space looks fantastic. Owner, Amanda, has done a super job with the display, and you won't believe the brands of gently used clothing she has gathered together. I hope that those of you in the area will stop in and say hi. Don't worry I'll be reminding you again.
Keep on the lookout for the results of a new photo shoot!
Friday, July 29, 2011
Annarella Girl Moves
Diva Chicks Artful Boutique is open now and full of goodies so stop in. There will be a grand opening August 5 which is First Friday in downtown if you want some food and drink to go along with your purchases!
PS Mama Ds and Annarella Girl will have products at Good Water Gallery until they close. Support the artists there.
Tuesday, April 13, 2010
Why I Do What I Do

Thursday, September 3, 2009
Autumn Collection on Etsy

I just love some of these new fabrics. What little girl wouldn't love to have blue, purple and pink deer gamboling on her dress apron? Apron is not detachable; ribbon sash is sewn on the front and tied in back.

Back of jungle animal dress as shown above. Here you can see many of the different fabrics used. For seasonal wear layer over tee or blouse and leggings or skinny pants - white, black, green or red.
The apron is acid green background with birdcages. Love the mix of colors and punch of deep fuschia.
Turquoise, orange and green. Sounds bizaare on paper, but looks great. And imagine what wonderful colors you can pair with this in a ree and leggings!!
I have more to list on etsy. And don't forget the skirts. Visit my Annarella Girl site. The photos don't do the dresses justice. If you are in central Texas come see them in person Friday and Saturday at Annarella Design Studio, 800 S Austin Ave, Georgetown. I'm there from 11-5. Tomorrow is First Friday in downtown so I'll be there until 8 pm.
Sunday, June 7, 2009
A Muse


She came to First Friday to choose a dress and fell in love with the black and pink. I've spent the weekend making it for her in the correct length. What a pleasure. Thanks for the inspiration, Havana.
Saturday, June 6, 2009
First Friday dress
Tuesday, June 2, 2009
New Skirts

I love the pink and brown combination. A little bit girly; a little bit tomboy. Now that's the idea of the Annarella Girl.
These skirts are Larges which is size 6-7. In my show this spring sizes medium and large sold out. So I'm replenishing the stock for those sizes.
I look forward to seeing some of you on Friday, 6-8pm at Annarella Home Design Studio in the atrium. If you can't make it but want to see more, go to www.annarellagirl.etsy.com where you can buy what's listed or order a custom dress or skirt.
Wednesday, May 27, 2009
New from my studio


Those of you in Texas, don't miss the chance to come see what's new. I can't wait to talk to you! I'll post more details later.
Wednesday, December 3, 2008
Artist Interview: Anna Marie Pavlik

We had coloring books and paint by number sets, but the major projects were Ukrainian egg painting, making rolled-out embossed and meticulously decorated Christmas cookies, hand coloring curtains and sewing our own clothing. We were not allowed to brainlessly absorb television; so eaxh of us had hand-work projects to ensure productivity while sitting on the couch.


What is your style? Labeling my style is difficult. Being able to recognize elements within the composition has always been a concern. I love pattern, color and narrative so these are important components.


Sojurn stratograph
Thursday, November 20, 2008
Artist Interview: Carol Hayman

Carole, tell us a bit about your early years and art.
I come from a long line of women artists, on both sides of my family. My mother's mother, Sophia Dart, did beautiful embroidery. My father's mother, Margaret Hayman, painted watercolors and made quilts. Her grandmother, Angelina Beckwith, painted in oils and watercolors and gave art classes. I have some examples of work from each of them.
I wanted to be an artist from my early teens and took art classes all through high school and college - classes in painting, printmaking, photography, jewelry and weaving. I have a Bachelors of Arts in Studio Art; a Bachelors of Fine Arts in Art History; and a Masters of Art in Anthropology. Now I am a Professor of Anthropology at Austin Community College.

Tell us about your style.
My style is documentary/anthropological. I take lots of photographs, especially when I travel. I like human artifacts, monuments, cultural objects. food and religious items. For colorful things, I make photographic prints of objects like flowers with deeply saturated colors. For some of the more monochromatic photos I make them into intaglio prints. Some pictures are natural tableaux depicted from a perspective that renders the resulting image almost abstract. The history is revealed in multiple layers, with an underlying order and inherent drama exposed in contrast and detail, painterly and sculptural at the same time. md.jpg)
What are you saying in your work?
My work illustrates specific places, both social and personal, public narrative events, and little glimpses of other worlds caught in everyday situations. We can find beauty in the exquisite as well as the mundane. I want the work to draw viewers in to look more deeply, to break a code, or to try and solve a mystery.
Tell us about your technique and the process.
The technique is polymer plate intaglio, also called photo etching, photo-gravure or solar plate.
The intaglio or etching starts out first as a print from a digital camera, then using a photocopier, I copy the print onto a transparency for overhead projectors. The transparency is laid over a polymer plate ane exposed to light. The plate is washed and hardened. When the plate is dry, it is inked, damp paper laid on it, then run through an itaglio press like an etching. This new process of creating solar plates uses non-toxic light and water while combining the centuries old use of the intaglio press.
Turning photographs into fine art prints is a laborious but satisfying printmaking process. The anthroplogical dimension of my subject matter lends itself well to the handmade look of the technique, and the technique is excellent for creating detailed works that draw the viewer in for a closer look. 
With prints it is possible to make multiple versions of the same image. I experiment with different colors, mixing browns, greens, or blue with black. I use different wiping techniques to vary the intensity of the color. I usually use BFK Rives paper and Graphic Chemical Faust black. I printed several years at Flatbed Press; now I print at Slugfest. When I am there printing the BBC radio program, The World, is usually on, it fits in well with my subject matter, so I half listen as I go through the repetitive and rhythmic motions of wiping the plate, rolling the press.
Thank you, Carol, for walking us through the complex steps of printing. I look forward to the gallery talk on Dec 5 here at Annarella. Understanding your process brings even more appreciation of your images.
The next interview will be with Anna Marie Pavlik who is the second of the woman printmakers in our exhibit.
Monday, November 10, 2008
A fun First Friday

Below are pictures of some of the people who shared the good times with us.




Thanks to everyone for making yet another First Friday a rousing success. Don't forget Dec. 5th.
Thursday, November 6, 2008
Too many projects, not enough time
First I'm almost finished with an online store. What a stretch for my elder brain!!! But I'm determined to have it up and operational by mid-week. When it does go public, I'll send out fireworks in celebration. The store will have some of our most popular items. It has been fun picking them out and photographing them. My huge thanks to Lauryl for the pics.
Tomorrow is November First Friday. Traditionally that is our kick-off of the holiday season here at Annarella. It has been frantic here as Pamela, Emily and Mindy have done a major redo of our floor - moving furniture into different rooms. Then they had to get all the new merchandise out. More about what's come in on a later post. Finally everything has to be decorated for the holidays. I'm in awe at hopw much they have accomplished in this week. Wait til you see how pretty we look. Pictures will be next week.
I did my first trunk show with the dresses from Hugs From Mimi. It was a great success. So whenever I wasn't on the computer these last weeks, I was at my sewing machine. What fun it has all been. This Saturday I'll be at Second Saturday Market Days with more dresses and stuff from Annarella, like the Lux candles, Victoria Miller necklaces and more. I'm sharing space with MAry Louise Poquette who has wonderful hand knit scarves and bead jewelry. Come by to see the goodies.
We have a new art show starting First Friday - Small Pleasures & Quiet Moments. These small works on paper are from Carol Hayman, photographer; Cathie Kayser, printmaker; and Anna Marie Pavlik, printmaker. Artist reception is from 6-8pm. In the next weeks I'll be posting interviews by all 3 ladies. They are very accomplished and extremely interesting. (This is another" more to come" post.)
I can see I have much to catch up on. But for now I hope to see you all this weekend. (I'm posting now without proofing. An apology for all the typos and mistakes, I'm sure I have made!)
Friday, October 3, 2008
First Friday and Art Opening

Friday, September 26, 2008
Old business and new
New! I'm working on setting up a store online. This is time consuming with lots of computer time and decisions. Oh, it makes my head spin. But I'm determined to work my way through the process. So far the folks at Yahoo have been very friendly and not at all condescending. I'll keep you all posted on my progress.
When I stop and realize how far I've come with computers, its amazing. I'll never be very literate. but I can cope with just a little bit of teeth-gnashing, nail-biting and name-calling.
On to some reminders - this weekend is the cattle drive and chuckwagon cook-off. Tonight starts with a chuckwagon dessert cook-off and a concert. FREE! Its all at San Gabriel park. I'm open til 8, so stop here to say hi!
Next Friday starts the Art Hop juried art show. There are some vey good pieces from artists all over Texas. The exhibit lasts the month of October and can be found at the Georgetown Library, 8th Street Studios, The Framers Gallery and Annarella. Don't miss this.
Monday, September 1, 2008
Artist Interview: Laurel Daniel

Hi Laurel, thanks for doing my interview questions. I always enjoy the paintings even more after talking to the artist.
Tell me about art and your childhood. Was art part of your home? The art form of my early years was music.My parents are both musicians and my dad, in particular. is a musical prodigy. There was always live music at my house. And when I learned to read that meant it was time for piano lessons. I didn't discover art until high school. When one of my clay pieces won the school contest and went to the local museum, I was out of my mind. That was the beginning.
What form did your art education and training take? I went to Wheaton College in Illinois where the art major included exposure to everything; and my two main interests were printmaking and painting. It was an important time...I learned how to learn, I learned how to create and I learned how to live.
But after college, I actually didn't paint for 20 years. I became a graphic designer with my own free-lance business. In 1999 my family moved to Austin. I closed my business and signed up for a painting class with Cassandra James. That was a significant time for me - having someone nurture my skills and motivate me to be disciplined. Now I am teaching at the Austin Museum of Art School - I've come full circle.
Can you label your style? I usually refer to it as Painterly because my brushwork is flowy and loose and has a bold energetic quality.
Can you tell us about your process? What inspires you? My inspiration comes from nature and natural forms. I spend a lot of time IN the landscape observing and, more frequently, enjoying it. My overall process begins with painting on location, en plein air, where I paint small studies. My larger work is almost always based on these.
For my actual painting process, I use "alla prima" technique.This French term refers to painting wet paint into wet paint, as opposed to letting the paint dry and building it up in layers. It requires working fast to finish while the paint is still wet and allows for luscious color interaction and wonderful soft edges.
Knowing when to stop is the hardest part. I try to step away when I think I am nearing the end and take a little break. I look at it from a distance and try to analyze what final marks it needs. I have a little mental checklist of possible problems and things to look for.
What do you want or hope the viewer to feel from your works? I don't have any underlying message in my work...it's really a celebration of creation and life. My hope is that viewers will share in my experience by bringing their own sense of celebration to the work. I like to think in a way they are completing the painting themselves.
I enjoy hearing about what people take away from my paintings. Recently someone told me that one of my pieces "took her back" to a really happy time in her childhood - that made me smile. Another friend told me that because of a warm pink sky in one of my paintings, he began to notice that sky in real life. I LOVED that.
Do you listen to music in your studio? I do listen to music - mostly classical and usually KMFA. Occasionally I listen to books on CD. Having something in the background really frees up the right brain creativity because it engages the left brain. It's a mystery how this happens, but the left brain can get out of the way when it has something to focus on. This is important to the creative process because the left brain can sometimes lock things up by "thinking" too hard.

Any favorite books, movies or TV you enjoy for relaxation or inspiration? I love to read and really enjoy a good story to get lost in. Historical fiction is my favorite because I fancy I am learning something but with all the embellishments that suck me in. I am currently reading Christ the Lord - Out of Egypt by Anne Rice and just finished the first two segments of a Robin Hood trilogy - Hood and Scarlet (the third is yet to be finished) by Stephen Lawhead. For artistic inspiration and catharsis I highly reccomend The Art Spirit by Robert Henri.
Thanks, Laurel, for all the good insights into your art.
Take a look at her blog to catch what she is currently working on.
Stop by Annarella to see her show which will be up until September 30. Come in and meet her on September 5 from 6-8pm.
